Bio2019-02-04T05:10:30+00:00

 

Photographic Roots

I’ve had a camera in my hands since my first Kodak Instamatic in grade school, shooting snippets of expat life in Europe. I’ve also had an enduring love for animals and ecology. In a life sometimes impossibly circuitous and, in my younger years, outrightly broken, animals and nature were a constant source of insight, comfort, and revelation. Being in nature always brought me back to center when I meandered off course, and ultimately taught me to be better than what I was — by reminding me of the profound power of connection, the simple truth of seeing, feeling, breathing, and living in the moment.

Wanting to give back at least a little of what they’d given me, I found my way to a volunteer position at a San Francisco Bay Area hospital. It was there that my passion for photography merged with my advocacy. Working in wildlife rehabilitation gave me a vivid and intimate view into the lives and struggles of these animals whose experiences are often removed from our view and understanding. Outside of the hospital setting, my telephoto lens enabled me to observe and learn more about that experience, from a respectful distance.

I do my best to paint my experience and theirs in pixels … that heart-stopping moment when ten thousand Snow Geese take flight overhead … when an old elk bugles under the season’s first snow drops … when a pod of Orcas glides past the boat, sharing the pulse of the ocean. Through the intimacy of my lens, I hope to promote love and appreciation for our fellow beings, their lives interwoven with our own. Every eye, every heart, every lens turned toward their well-being helps build a model of compassionate co-existence.

I hope this will someday be our norm, not our anomaly.

You can read more about the inspiration behind my camera in these Q&As with International Bird Rescue and Empirical Magazine.

Credits

My work appears in publications, exhibits, and installations that include:

Featured cover photos: Colorado Review • U.S. Fish and Wildlife Magazine • Functional Ecology Magazine • Penguin Publishing’s “Morning Glory” • Puget Sound Partnership’s “State of the Sound” • Acker Records album art

[A more complete list of credits is here: Published Images]

Writing + Research

I’m an independent book researcher, credited in 16 best-selling books and four book series. Until 2009, I worked at About.com as city editor and writer for the San Francisco website, covering civic and cultural issues and events.

Wildlife Advocacy

I was a wildlife rehabilitation volunteer in California, completed 24-hour Hazwoper certification for oil spill response, received training in wildlife rescue field response, and volunteered for Emergency Animal Rescue Service. From 2014 to 2018, I co-administered the Wildlife Conservation Pass Project — a grassroots project to implement a new revenue pass for our National Wildlife Refuge system. I regularly donate my time and work to benefit environmental and animal advocacy organizations. 

Field Ethics

Field ethics are a priority for me when photographing wild animals, and I do my best to put the well-being of the animal over the photo. As a general rule and to the best of my ability, I work to reduce how intrusive my presence is. My complete nature ethics statement is here.

My Gear

Cameras: Olympus OM-D cameras (E-M1 Mark II, E-M1 and E-M5ii) Wildlife Lenses: m.zuiko 300m f/4, 40-150mm f/2.8, 14-54mm, zuiko 50-200mm f/2.8-3.5) Post Processing: Adobe Lightroom and Adobe Photoshop, as well as Nik Software.

Post Processing

For fine art images and prints, I take artistic license with effect and outcome. I love the creative tools of the digital dark room process. In naturalistic or documentary photography, I make standard edits on RAW files, and I’m currently cataloging my older images to add any additional editing notes. In my blog, I take a bit more liberty in playing around with my images. It’s one place where I can exercise some creativity over realism and have fun with the tools technology affords us.

Some adjustments on my images include: sharpness, levels, contrast, noise reduction, wb/color adjustments where needed, vignettes, and in some cases, spot removal. 

Enjoy your browsings and drop me an email if you have any comments or need more information. Thanks for stopping by! ~

Ingrid Taylar Photos + Usage/Licensing

For all uses or permissions of images posted here, please feel free to contact me for the specs.

Photos, writings, and graphics © Ingrid Taylar

——————————————–

The family move to Europe that sparked a lifelong photographic adventure. (I’m the one with the stuffed toy.)

  

Wildlife rehab work in my volunteer apron …. feeding an orphaned raccoon kit

The photographer, bottom right, as just a tiny component of the greater universe. (Photographed at Los Vaqueros Reservoir)

 

Photographic Roots

I’ve had a camera in my hands since my first Kodak Instamatic in grade school, shooting snippets of expat life in Europe. I’ve also had an enduring love for animals and ecology. In a life sometimes impossibly circuitous and, in my younger years, outrightly broken, animals and nature were a constant source of insight, comfort, and revelation. Being in nature always brought me back to center when I meandered off course, and ultimately taught me to be better than what I was — by reminding me of the profound power of connection, the simple truth of seeing, feeling, breathing, and living in the moment.

Wanting to give back at least a little of what they’d given me, a bit later in life I trained as a wildlife volunteer at a San Francisco Bay Area hospital. It was there that my passion for photography merged with my advocacy. Working in wildlife rehabilitation gave me a vivid and intimate view into the lives and struggles of these animals whose experiences are often removed from our view and understanding. Outside of the hospital setting, my telephoto lens enabled me to observe and learn more from a distance.

I do my best to paint my experience and theirs in pixels … that heart-stopping moment when ten thousand Snow Geese take flight overhead … when an old elk bugles under the season’s first snow drops … when a pod of Orcas glides past the boat, sharing the pulse of the ocean. Through the intimacy of my lens, I hope to promote love and appreciation for our fellow beings, their lives interwoven with our own. Every eye, every heart, every lens turned toward their well-being helps build a model of compassionate co-existence.

I hope this will someday be our norm, not our anomaly.

You can read more about the inspiration behind my camera in these Q&As with International Bird Rescue and Empirical Magazine.

Credits

My work appears in publications, exhibits, and installations that include:

Featured cover photos: Colorado Review • U.S. Fish and Wildlife Magazine • Functional Ecology Magazine • Penguin Publishing’s “Morning Glory” • Puget Sound Partnership’s “State of the Sound” • Acker Records album art

[A more complete list of credits is here: Published Images]

Writing + Research

I’m an independent book researcher, credited in 16 best-selling books and four book series. Until 2009, I worked at About.com as city editor and writer for the San Francisco website, covering civic and cultural issues and events.

Wildlife Advocacy

I was a wildlife rehabilitation volunteer in California, completed 24-hour Hazwoper certification for oil spill response, received training in wildlife rescue field response, and volunteered for Emergency Animal Rescue Service. From 2014 to 2018, I co-administered the Wildlife Conservation Pass Project — a grassroots project to implement a new revenue pass for our National Wildlife Refuge system. I regularly donate my time and work to benefit environmental and animal advocacy organizations. 

Field Ethics

Field ethics are a priority for me when photographing wild animals, and I do my best to put the well-being of the animal over the photo. As a general rule and to the best of my ability, I work to reduce how intrusive my presence is. My complete nature ethics statement is here.

My Gear

Cameras: Olympus OM-D cameras (E-M1 Mark II, E-M1 and E-M5ii) Wildlife Lenses: m.zuiko 300m f/4, 40-150mm f/2.8, 14-54mm, zuiko 50-200mm f/2.8-3.5) Post Processing: Adobe Lightroom and Adobe Photoshop, as well as Nik Software.

Post Processing

For fine art images and prints, I take artistic license with effect and outcome. I love the creative tools of the digital dark room process. In naturalistic or documentary photography, I make standard edits on RAW files, and I’m currently cataloging my older images to add any additional editing notes. In my blog, I take a bit more liberty in playing around with my images. It’s one place where I can exercise some creativity over realism and have fun with the tools technology affords us.

Some adjustments on my images include: sharpness, levels, contrast, noise reduction, wb/color adjustments where needed, vignettes, and in some cases, spot removal. 

Enjoy your browsings and drop me an email if you have any comments or need more information. Thanks for stopping by! ~

Ingrid Taylar Photos + Usage/Licensing

For all uses or permissions of images posted here, please feel free to contact me for the specs.

Photos, writings, and graphics © Ingrid Taylar

——————————————–

The family move to Europe that sparked a lifelong photographic adventure. (I’m the one with the stuffed toy.)

  

Wildlife rehab work in my volunteer apron …. feeding an orphaned raccoon kit

The photographer, bottom right, as just a tiny component of the greater universe. (Photographed at Los Vaqueros Reservoir)