This is my annual re-post -- on the first weekend of waterfowl hunting season in both Washington (where I'm living now) and California (my home). I've been lightly tweaking the post each year, adding new information or links. My reason for re-posting this piece is to bring attention to some of the lesser discussed aspects of duck hunting. The most significant issue for me is the enormous injury rate in all wing shooting -- a facet rarely brought forth voluntarily, and one that's inadequately studied. I provide additional details on that subject in this post.
It seems like common sense ... to slow or stop the car if you see an animal on the road. But, in recent weeks, I've had several incidents where birds were clearly in harm's way and people refused to either stop or take even 30 seconds off their commute to let an animal exit the roadway.
Raptors Are the Solution (RATS) grew from the grassroots of my home turf -- Berkeley and the East Bay (San Francisco Bay Area). The mission of RATS is to get anticoagulant rodenticides off the shelves. And, in affiliation with Earth Island Institute, they're working with cities and counties in California to adopt resolutions which discourage the sales of these dangerous products.
When I went looking for information on songbird fatalities and backyard guns, there are no statistics as far as I could find. But I did come upon this post from The Digiscoper entitled They Did Not Need to Die. There, Mike detailed the very same problem I was seeing: YouTube videos of illegal songbird shootings. Mike went the extra mile and contacted the U.S. Fish and Wildlife Service himself, and this was the reply:
I heard a lecture recently where Picasso's view of photography was described this way: For Picasso, "photography was never an exact registration of a scene, but it was a creative device.” (Arthur I. Miller). The lecture was about conceptualism and perceptualism in both art and science, using Picasso and Einstein as subjects. Picasso's view of the camera is obviously liberated by the fact that he was using it as a fine art tool, not a photojournalistic one.